D.I.T. (Digital Imaging Tech) Camera Operator
2509 Caribbean Court Orlando, Florida 32805
Phone: 407-340-2843
Cell: 407-340-2843
Hector Lopez
Experience
April 2009 Sony Pictures/TV Peachtree City GA
D.I.T.(digtal imaging tech)
· Drop Dead Diva
Panavision Genesis – Responsible for all look up tables(LUT) as well as recording to the Sony SRW1 deck. Communicated with post supervisor on the LUTs being sent from post.
Feb-April 2009 Little River Productions LLC LA/Puerto Rico
D.I.T.(digtal imaging tech)
· Wizards of Waverly Place; Stone of Dreams
Arri D-21 – Responsible for all look up tables(LUT) as well as recording to the Sony SRW1 deck. Also maintained all equipment, troubleshooted and repaired all cable.
Feb 2009 Fox Sports NY/NY
D.I.T.(digtal imaging tech)
· Intro efx shots for the Daytona 500
Phantom HD – Responsible for all super slo-mo shots up to 1000 frames of all drivers, Using the cinemag on the Phantom transferred all files electronically
Jan 2009 AVSO NY/NY
D.I.T.(digtal imaging tech)
· Commercial – Fairfield INN
Phantom HD – Responsible for all shots 24 to 600fps, Using the cinemag on the Phantom transferred all files electronically
Jan 2009 Walt Disney Entertianment Los Angeles/Ca
D.I.T.(digtal imaging tech)
· Commercial – American Idol Attraction at Walt Disney World
Panavision Genesis – Responsible for all camera frame rate changes as well as creating LUTS on set for the DP to light to.
Dec 2008 Duct Tape Prod./Spotnik Los Angeles/Ca- Berlin Germany
D.I.T.(digtal imaging tech)
· Commercial – Proactiv Infomercial
Phantom HD – Responsible for all super slo-mo efx shot at 1000 fps, Using the cinemag on the Phantom transferred all files electronically
Sept 2008 Duct Tape Prod. Los Angeles/Ca
D.I.T.(digtal imaging tech)
· Commercial – Zumba Exercise
Phantom HD – Responsible for all super slo-mo shots from 120 frames a sec to 1000 frames, Using the cinemag on the Phantom transferred all files electronically
July 2008 EMM Group Orlando/FL
D.I.T.(digtal imaging tech)
· Commercial – Corn Seed
Phantom HD – Responsible for all super slo-mo shots from 60 frames a sec to 1000 frames, also transferred all shots to a Sony SRW-1/SPRC Deck.
May 2008 Canvas Films Ft Lauderdale/FL
D.I.T.(digtal imaging tech)
· Commercial – Alliance Golf
Phantom HD – Responsible for all super slo-mo shots from 450 frames a sec to 1000 frames, also converted files to tiff files sequence
April 2008 High Noon Prod Denver/CO
HD camera op.
· Food Challenge – National Pie Challenge
Sony F900 Cinealta Camera – Responsible for certain competitors, and B-roll of event, as well as all pie beauty shots and product shots
Jan 2008 Trio Films Los Angeles/CA
D.I.T.(digtal imaging tech)
· Commercial
Arri D20 Camera – Responsible for Look and level monitoring as well as
recording to Sony SRW-1 Deck
Sept 2007 Never Back Down Orlando/FL
D.I.T.(digtal imaging tech)
· Feature Film
Iconix HD Lipstick Camera – Responsible for Look and level monitoring as well as
recording to Sony SRW-1 Deck
Feb 2007 CPECA/Rue & Ziffra Daytona Beach/FL
D.I.T.(digtal imaging tech)
· Lawyer Commercial
Panasonic Varicam – Came up with a specific look for the client warm skin tone/cool edges.
Feb 2007 Vitamin Water/anonymous|content Los Angles/CA
D.I.T.(digtal imaging tech)
· Vitamin Water Commercial
Matched 2- Digital Beta 790 and watched levels, and back focus on set.
Jan 2007 Goodyear/Bond Films Orlando/FL
D.I.T.(digtal imaging tech)
· Good Year Spot
Matched 2 Panasonic Varicams 27F and a 27H on location.
Feb 2007 ESPN/Tool Los Angles/CA
D.I.T.(digtal imaging tech)
· Fantasy Football ESPN Spot
Matched 2 Panavised Sony F900s set look and watched levels, and back focus on set.
Feb 2007 ET/CBS Angles/CA
Camera Operator
· Anna Nichol Smith Funeral
Shot location airport arrival in the Bahamas and Graveside.
Nov 2006 to present The Montel Williams Show New York/NY
Camera Operator
· Location Interviews
Shot location B-roll and interviews for Florida, and Texas Segments.
Aug 2006 MTV News Miami/FL
Camera Operator
· MTV – Mariah Carey Concert
Shot location B-roll and interviews for MTV News.